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‘Northeast had less of phoren and more of desi in 2010’

For a region known for its fascination with rock, 2010 was a bit of a dampener in the Northeast because of the absence of performances of international bands worth reckoning; a major reason being the lack of viable venues and the closing down of some of the previous ones. But despite it all, the music calendar of the region was packed to the brim this year, marked by the emergence of a lot of new local talents thanks to the fast emerging pub rock scene. Another interesting development that could be witnessed here was the re-emergence of folk or experimental music as a preferred choice of music fans here.

Talking about experimental music, the ICCR-sponsored performance of Mexican singer Jaramar in Guwahati was one of the most notable. Jaramar, who feeds on her traditions to create a deeply personal music, was part of a unique fusion experience in Guwahati where she incorporated Mexican music with the Indian Sarangi, Flute and Tabla. Wvoath – a folk-fusion band of the Lepcha community of Sikkim – tops the list among the new home-grown experimental bands.

As it is with other parts of the country, metal has become the preferred genre for the youth in most States of the Northeast. Judging from that angle, a number of prolific bands have indeed touched base here this year. Mention can be made of outfits like Swiss folk metal band Eluveite that performed in IIT – Guwahati’s annual cultural fest ‘Alcheringa’ in the month of February. For the uninitiated, Eluvietie is presently raging across the European folk metal circuit, with its authentic bend of Celtic folk music and melodic death metal. With a wide population of metalheads spread over the region, the band’s performance in Guwahati was definitely worth reckoning. One also remembers the performance of DeProfundis – a UK-based death metal band that performed in the city towards the fag end.

While the overall music scenario is most of the States does not appear to be too rosy and can be said to have even gone down from previous years, a significant development could be noticed in the emergence of pub gigs which have caught the fancy of music lovers in most of the States. Besides serving as a potent launching pad for new artistes, these places have also witnessed performances by some visiting artistes and bands. In Guwahati, mention can be made of Cafe Hendrix, the Rockarolla Pub Rock gigs held at Cafe Blues and the gigs organized at Traffic Bar and the Basement Jaxx. While Nagaland has a number of lounge bars that organize such shows, Tango Lounge is the chief organizer of gigs in Shillong. Jumping Bean Cafe, Cafe Hiyo, Cafe Destination and Dream Cafe are some of the most popular lounge bars in Nagaland that organizes such independent musical events.

To provide a State-wise break-up of the music scene, Nagaland – the only State to have a clear-cut music policy – remains the most proactive among all the State governments. That should not come as a surprise when we take into cognizance the fact that it is probably the only government in our country to have dedicated an entire governmental wing in the form of the Music Task Force (MTF) for the promotion and propagation of music in its land. The Music Task Force, led by its project director Gugs Chishi, has indeed been doing a commendable job in pursuing the objectives it has been set up for.

One of the most successful initiatives of the Music Task Force would be the Hornbill Rock competition, which is being projected as the mother of all rock competitions in India. With a huge prize money of more than Rupess 10 lakhs dedicated for local rock bands of the country, I don’t see any reason why they should not get that tag. The Hornbill rock competition is organized as part of the annual week-long traditional Hornbill festival of Nagaland. Twenty top bands from all over the country participated in this year’s competition, which saw Slain (Bengaluru) walk away with the winners trophy of Rs. 5 lakhs. Traditional music, dance, food and the best of rock – Hornbill truly is a festival not to be missed!

Talking of traditional festivals, music has become an inseparable component of the many such festivals organized in the region. One can talk about the Autumn festival of Shillong, the Sangai festival of Manipur, Cherapunjee festival of Meghalaya, etc. All these festivals had a host of prolific musicians performing therein. For instance, Indus Creed, who are presently on their re-union tour, had Cherapunjee as one of the venues and watching their performance, all one can say is that they are much stronger than ever before. The other bands who performed in Cherrapunjee were Blues-rock band Soulmate, Shillong-based bands Colours and Snowwhite, Japanese Buddhist monk Gyomyo Nakamura, experimental rock band Abiogenesis, multiphronic chant master Lama Tashi, Delhi-based singer-songwriter Sushmit Bose, amongst others. Nakamura, for those who don’t know him, is a Buddhist monk who lives in India for most of the year and who is also a rock musician with insane guitar skills!

Besides these frequent gigs and festivals, another significant development would be the emergence of music being used as a social tool for peace and reconciliation. The lead in this regard has been taken by the Eastern Beats Music Society – one of the foremost bodies of musicians, music lovers, artists and activists. From streets shows and jamming sessions to the much hyped 2nd Karbi Anglong national beats, this society has been really reaching out to people in the hinterland, showing the healing and nurturing qualities of music. The Karbi Anglong Beats is an unique attempt to promote village bands as well as channelize the energy of youth in a positive direction. Ten top bands from across the country had participated in the second edition of this contest that was held in a insurgency and ethnic-violence hit area, and which was incidentally Assam’s first national rock contest. Dementia from Nagaland walked away with the winner’s trophy while Cleave from Manipur finished a close second. Talking about the use of music as a social tool, one also remembers the efforts of the Haflong Music Association which had actually dared to organize a peace concert in the middle of strife-torn Haflong town of NC Hills! Brave souls who have shown the immense healing power of music!

While the region continued to host its annual music festivals, like the Lou Majaw-led Bob Dylan celebration in Shillong, the club circuit of the region also had some prolific musicians performing in their midst; litterateur and experimental vocalist Amit Choudhury, Indian Ocean, santoor player Rahul Sharma, Shankar-Ehsaan-Loy, KK, being a few of them. A few musicians and groups from the region have also established their hold firmly in the independent industry in the mainland and abroad this year. Talking on these lines, how can we forget the performance of the Shillong Chamber Choir that is presently raging across the South-east Asian choir circuit? This group, which performed for visiting US president Barack Obama after winning India’s Got Talent and gold medals in the World Choir competition, had it coming for a long time now and it is of much pleasure that Bah Neil Nongkynrih and his troupe finally got their due. The Angarag ‘Papon’ Mahanta-led East India Company is also proving a point, having performed in the cultural evening of the Commonwealth Games.

A melange of performances but when it comes to the audience, the response is loud and clear: We want more!


Hornbill National Rock 2010 promises to be a big draw

Digital Suicide and Sunday Mourning from Assam among 20 shortlisted bands

The mother of all rock contests is back. The Hornbill National Rock competition is just round the corner, scheduled to be held in the first week of December next. As twenty top bands from across the country get ready to battle it out for the winner’s title, all I can say is that this year’s contest is turning out to be much bigger and better!

For the uninitiated, the Hornbill National Rock contest is part of the famed Hornbill festival of Nagaland, which is possibly the longest music festival of the country. The Honrbill festival is one of the most loved dance and music festivals of the country and thousands of people throng to Kisama – the games village – every year to take part in this mega cultural extravaganza.

Talking about the objective of the festival, an organizer of the festival pointed out, “Such an extravaganza is in keeping with the essence of the many Naga festivals; marked by feasts, dances, games and music, all in full measure. Nagas do not do things in small instalments. These celebrations invariably coincide with agricultural lean periods such as after-harvest, and therefore the feeling of gaiety and generosity, even to a fault. Circumstances have changed; some have moved on while a few still embraces the old ways. Nevertheless, in either case the joie de vivre of the Nagas lives on. The annual Hornbill Festival, and therefore the Hornbill National Rock, is set in this background. In time, we hope to go international.”

The Honrbill national rock contest is held on the final day of the Hornbill festival and is the most popular event among the youth. The contest carries a reward of Rs 5,00,000 (Rupees Five Lakh only) for the winners, which is possibly the highest prize money in a rock contest in our country. The first runners’-up and second runners-up get prize rewards of Rs. 3,00,000 and Rs 2,00,000 respectively.

The contest is divided into two segments: the first part involves submission of compositions by rock outfits of the country. The second segment sees the selected bands battling it out for three days of competition at the venue. Meanwhile, separate auditions are held for bands of Nagaland.

The list of bands selected for the Hornbill National Rock Contest 2010 includes 3rd Sovereign (Delhi), Da Primitive Future (Darjeeling). Digital Suicide (Guwahati), Incarnadine (Bengaluru), Insanity Quotient (Pune), Not Yet Decided (Kolkata), Phobia (New Delhi), Rosemary (Mumbai), Sixes and Seven (Mizoram), Street Stores (Shillong), Slain (Bengaluru), Sunday Mourning (Guwahati), The Fringe Pop (Pilani), The P.A.G.E (Kolkata), Tripwire (Mumbai), Underground Authority (Kolkata).

Meanwhile, the separate Nagaland State auditions for the Hornbill national Rock Contest 2010 was held at the Heritage Bungalow near Raj Bhavan in Kohima. A total of 20 spirited bands armed with talent galore fought it out in the battle of the bands to take the top four slots. The judges for the event were Tangit Imsong, MDACC’s Director of music (Mokokchung District Art and Culture Council), Vesato Theluo; (M.Mus) Major Voice Phillippine, presently music lecturer in Patkai christain college and Abemo Enyie, a seasoned senior musician of the State. The audition was formally launched by Youth Resources and sports (YRS) Secretary Bendang Longchari, while Music Task Force (MTF) Project Director Gugs Chishi gave the welcome address.

The four selected bands from the state are Dementia, Melodrama, Incipid and Sunep Assemble Band. The final segment for this year’s Hornbill National Rock Contest kicks off in Kohima from December 4 next. And as the contest heats up, I wish all the bands the very best!

Dementia wins Assam’s first national rock contest

2nd Karbi Anglong Beats Contest 2010 a big draw

Assam’s recently got its first national contest. And what a contest it was. Ten top bands from all over country, battling it out for the winners tropy and the cash award of Rs 50,000; that too in a remote village of Assam and with the virulent hills of Karbi Anglong in the backdrop – can anything be more interesting than that? The 2nd Karbi Anglong Beats 2010 was truly a winner on all fronts.

The 2nd edition of this increasingly popular beats contest was held at Serhong Kup in Rongtheang this year. Like last year, it was clubbed with the Rongtheang fest which is into its eight year this time, informed Eastern Beats Music Society treasurer Mizi Kro. The theme of this year’s contest was ‘Youth for Peace and Development’.

At the end of a gruelling competition, Dementia from Nagaland was declared the winners and they walked away with cash prize of Rupees Fifty thousand. Cleave from Manipur finished a close second.
The other bands in the competition were Dream Diabolic (Gangtok), Dissected Soul (West Bengal), Circles End (West Bengal), Maestro (Assam), Horjwlai (Tripura), Melodrama (Nagaland), Ball of Fire and Filharmonix (Assam).

Moa and Arenla Subong of popular experimental rock band Abiogenesis, veteran guitarist Utpal Barsaikia, harmonica player BB Hagjer and drummer Sarat Teron were the judges of the competition, which saw the bands playing at Serhong Kup in front of a crowd of around 6 to 8,000 people – possibly one of the biggest crowd turnouts for a rock contest in the State in recent times.

Part of the 8th Rongtheang fest 2010, the 2nd Karbi Anglong Beats 2010 was organized with the support of Mc Dowells No. 1 soda, Indian Council for Cultural Relations (ICCR), Ministry of External Affairs, Government of India; Numaligarh Refinery Limited, State Bank of India, The Northeast Today, Rolling Stone, Sound Box, and others.

Thousands of people had entered Serhong Kup – the venue for the Rock concert – and lapped up all the music that was in store for them, proving that Diphu and its adjoining areas has the best crowd of rock lovers. As Purab, vocalist of Filharmonix, said, “I have never played in front of such a fantastic crowd. We played an entire set of originals and yet their participation was mindblowing. The audience response makes up for our sadness at having lost the contest!”

Eastern Beats Music Society consulting secretary Amlandeep Das said, “The 2nd Karbi Anglong National Beats contest was dedicated entirely for development of youth in Karbi Anglong. The fact that all the political parties, administration and separatist outfits supported us in this endeavour should be a case in point. I would like to offer my heartfelt thanks to the people of Rongtheang and Karbi Anglong for all their support.”

The Rongtheang fest is a mega ethnic carnival that witnesses the participation of more than 12 different tribes and communities. Held over a three-day period in Rongtheang village, this festival acts as a perfect platform for building the spirit of brotherhood and bonhomie. At a time when gaps in the social fabric of Assam are becoming more and more evident with each passing day, Rongtheang fest can be the perfect village festival for villages and towns in other parts of the State to emulate. Some of the major tribes and communities in Rongtheang are the Karbis, Dimasas, Rongmei Nagas, Biates, Hmars, Mizos, Vaipheis, Bodos, caste Hindu Assamese, amogst others.

Various competitions like blind-hit competition, stilt walking competition, couple show, salad making competition, fashion competitions, etc, besides traditional cultural competitions were held across all three days. While the final inter-cultural dance display of all the different tribes and communities of the village provided a spectacular sight, the other big draws for visitors in the festival were the extremely well-choreographed fashion show on the final day and the food complex which had a lot of traditional food items up for sale.